What kind of person is equipped to writ a novel including alternate universes, steampunk, magic — and librarians? Well, let Cat Eldridge give you a clue:
[Genevieve Cogman’s] bio from the back of this novel is illuminating: ‘Genevieve Cogman started on Tolkien and Sherlock Holmes at an early age, and has never looked back. But . . . → Read More: Literary Matters: Genevieve Cogman: The Invisible Library
Jacaranda, the most recent entry in Cherie Priest’s Clockwork Century alternate history, reads like a movie. This isn’t a bad thing, per se. What it does mean, though, is that the beats of the story come in precise and familiar places, and that fans of the people-getting-picked-off-in-a-spooky-location cinematic subgenre are probably going to spot both . . . → Read More: Cherie Priest: Jacaranda
For some of us, at least. Fortunately, some hardy souls have managed to defy the elements and send in some new reviews, so let’s take a look.
First, Death’s Apprentice from K. W. Jeter and Gareth Jefferson Jones, featuring, among other things, a killer for hire to works for the Devil.
Next up, from steampunk . . . → Read More: Literary Matters: It’s Been a Nasty Winter
Something to remember before diving into steampunk legend James P. Blaylock’s seminal genre piece Homunculus, is that Blaylock’s work is not cute. At first glance, of course, it looks cute, what with all the bumbling and the over-the-top Britishness of it all and the never-ending stream of elements that are simply fun.
But even at . . . → Read More: James P. Blaylock: Homunculus