This is a dark, dark novel. And it’s almost on the edge of science fiction and into the realm of human psychology or social satire, à la Brave New World or Lord of the Flies or even The Road. The contemporary setting, even after the contemporary characters are thrust into the future, makes everything seem . . . → Read More: Literary Matters: A Taste of Heinlein’s Dark Side
Immediately after Starman Jones, Heinlein wrote his seventh juvenile novel (ninth or tenth novel, total, if you keep track of that sort of thing). What a reversal. He’d been getting steadily more adult in his writing, perhaps as much because of his increasing clout and the resulting power reversal between him and his editors as . . . → Read More: Literary Matters: Judging Books by Their Covers and Heinlein’s Star Beast
So, Heinlein’s first four juveniles were a nice warm-up. Rocket Ship Galileo was just fine for a first effort, while Farmer in the Sky is, even now, one of my all-time Heinlein favourites. Not just a favourite from amongst his juveniles, mind you. A favourite, period. What did he do next? A little something called . . . → Read More: Literary Matters: Heinlein and Hot Streaks
After Heinlein wrote The Rolling Stones, he wrote Starman Jones, another rousing adventure tale with nevertheless a bit more edge to it, as bildungsromans must needs have. Romance! Danger! The caprices of fate! No guarantee of a happy ending!
I reviewed the Baen reissue of this title a couple of years ago, as part of . . . → Read More: Literary Matters: Heinlein and Huckleberry Finn
Well, it’s 2014. After several delays, Skynet has become self-aware and unleashed Judgment Day on the human race, any day now, the latest model of hoverboards should be hitting store shelves, and, mark your calendars, next year Marty McFly and Doc Brown should be completing their long (relative to us) journey from the year 1985, to get . . . → Read More: Literary Matters: Revisiting Heinlein