I’ve seen Gavin perform a half dozen times both in his native Scotland and down London. He never fails to anything but a stellar musician, be he solo or performing with one of the bands that he’s been in.
So what does our reviewer say about his two latest music undertakings? Quite a bit actually. . . . → Read More: Music Matters: Up in The Air: Moonshine / Gavin Marwick: The Long Road and The Far Horizon
Gavin Marwick is a talented and prolific Scottish composer and fiddle player. He’s in or has been in bands including Cantrip, Bellevue Rendezvous, Journeyman, Iron Horse, Ceilidh Minogue and Up in the Air. I’ve seen him perform (with Cantrip) and reviewed his Bellevue Rendezvous outings. So of course I was happy to offer to review . . . → Read More: Up in The Air: Moonshine / Gavin Marwick: The along Road and the Far Horizon
I’m still working my way through Capercaillie, which, out of a host of interesting musicians from many traditions, remains one of the most engaging groups I’ve run across. At the Heart of It All, their newest release, seems to pull together a lot of what I’ve found in their earlier offerings into a very coherent . . . → Read More: Musical Matters: Capercaillie: At the Heart of It All
To the Moon was my first exposure to Capercaillie, so of course, it was what’s generally considered their “crossover” album. This is by no means a negative, or even something that’s very obvious: it’s more apparent in the rhythm patterns, the instrumentation (sorry, but no one is going to persuade me that the bouzouki is . . . → Read More: Musical Matters: Capercaillie: To the Moon
The final two days of the 2013 Celtic Colours International Festival were a whirlwind of activity – for us, anyway. On Friday we took a short trip along part of the Cabot Trail and a tiny section of the Cape Breton Highlands National Park before having dinner at the Glendora Distillery between Mabou and Inverness, . . . → Read More: Celtic Colours wrap-up: Oct. 18-19 — In Good Company, Pipers’ Ceilidh
I headed off for this mid-week show with expectations that were not very high. Just goes to show how wrong you can be! By the end of the night, nay by the midpoint, it had become my favorite memory (so far) of the 17th annual Celtic Colours International Festival.
First, the venue. The Louisbourg Playhouse . . . → Read More: Celtic Colours: October 16, 2013 — Louisbourg Crossroads
It was an evening of dance and music from three different cultures – Nordic, Quebecois, and Cape Breton-style Celtic – at the handsome performance hall Strathspey Place in Mabou, a former coal mining center on Cape Breton Island’s north shore. The house was very nearly sold out of its approximately 500 seats for a program . . . → Read More: Celtic Colours: October 15, 2013 — Dance Dance Wherever You May Be
It was billed as “Cape Breton meets Denmark via Boston,” and it was all that and more as the two Celtic Colours 2013 Artists in Residence hosted a fiddling extravaganza Sunday night in Whycocomagh on Nova Scotia’s Cape Breton Island. For the two artists in residence – Danish fiddler Harald Haugaard and Cape Breton fiddler . . . → Read More: Celtic Colours: October 13, 2013 — Whycocomagh Gathering
Baddeck, Nova Scotia (Friday, October 10) — As I write this, it’s the first night of the 2013 Celtic Colours festival in Cape Breton Island, Nova Scotia. This year’s installment of the award-winning festival includes 46 concerts and more than 200 community cultural events that will explore the musical and cultural connections between Cape Breton . . . → Read More: Celtic Colours 2013: Preview and live streaming
Now in his early sixties, Scottish folk musician Brian McNeill has been performing traditional and writing traditionally-inspired music since the late 1960s, when he co-founded the Battlefield Band. Two of these three CDs are representative of some of his more recent work. The third, The Road Never Questions, is a compilation of his work from . . . → Read More: Brian McNeill: The Newest Recordings