One of the benefits of the recent upsurge in novellas being published is the opportunity for big names to play in smaller sandboxes. Works that are perhaps too experimental or too insubstantial for full novel-length projects can get play now, providing readers with more of their favorite authors. Meanwhile, the authors themselves get a chance . . . → Read More: Brief Lines: Big Names
Ahhh, there you are. I saw you sitting over in Falstaff’s Chair by the cheerfully cracklin’ fire on this cold, windy, and even rainy night. I see you’re enjoying your novel… Me? I’m reading de Lint’s Moonheart — perhaps his best known work. Not all great literature comes in the form of the printed page . . . → Read More: Colcannon: The Pooka and the Fiddler and Happy as Larry
We have reviews for you. Yes, indeedy, so, since it’s been a while, let’s get right to it.
Comics creator Joe Mignola ventures into the realm of “illustrated novel” with collaborator Christopher Golden in Joe Golem and the Drowned City.
Elizabeth Bear is back with another tale of Bijou the Artificer and her fellow adventurers, . . . → Read More: Catching Up
The final two days of the 2013 Celtic Colours International Festival were a whirlwind of activity – for us, anyway. On Friday we took a short trip along part of the Cabot Trail and a tiny section of the Cape Breton Highlands National Park before having dinner at the Glendora Distillery between Mabou and Inverness, . . . → Read More: Celtic Colours wrap-up: Oct. 18-19 — In Good Company, Pipers’ Ceilidh
I headed off for this mid-week show with expectations that were not very high. Just goes to show how wrong you can be! By the end of the night, nay by the midpoint, it had become my favorite memory (so far) of the 17th annual Celtic Colours International Festival.
First, the venue. The Louisbourg Playhouse . . . → Read More: Celtic Colours: October 16, 2013 — Louisbourg Crossroads
It was an evening of dance and music from three different cultures – Nordic, Quebecois, and Cape Breton-style Celtic – at the handsome performance hall Strathspey Place in Mabou, a former coal mining center on Cape Breton Island’s north shore. The house was very nearly sold out of its approximately 500 seats for a program . . . → Read More: Celtic Colours: October 15, 2013 — Dance Dance Wherever You May Be
If you were on a limited budget but still wanted to see and hear some of the world-class musicians who play at the annual Celtic Colours International Festival on Cape Breton Island, Nova Scotia, you’d be in luck. Two daily events in Baddeck alone provide musical entertainment and education in intimate settings during the main . . . → Read More: Celtic Colours: Free music events
The Cape Breton supergroup called Beòlach was the headliner at a show called “Far Flung Fiddles” at the Judique Community Center in Judique, Nova Scotia, on the evening of the third full day of the 17th annual Celtic Colours International Festival Monday, Oct. 14. And Beòlach indeed brought the near-capacity crowd to their feet more . . . → Read More: Celtic Colours: October 14, 2013 — Far Flung Fiddles
It was billed as “Cape Breton meets Denmark via Boston,” and it was all that and more as the two Celtic Colours 2013 Artists in Residence hosted a fiddling extravaganza Sunday night in Whycocomagh on Nova Scotia’s Cape Breton Island. For the two artists in residence – Danish fiddler Harald Haugaard and Cape Breton fiddler . . . → Read More: Celtic Colours: October 13, 2013 — Whycocomagh Gathering
Fiddler Martin Hayes and guitarist John Doyle brought the capacity crowd to their feet in a spontaneous standing ovation at the conclusion of a stunning set of reels, the climax of an evening of traditional and contemporary music in the Mi’kmaw First Nation village of Wagmatcook Saturday, Oct. 12. It was a wonderful way to . . . → Read More: Celtic Colours: October 12, 2013 — Tee and Tunes, Acadian Celtic Crossroads