“Posthumous collaborations” tend to have a somewhat uneven track record. For every Poodle Springs, you’ve got a handful of “Lurker at the Threshold”s, whereby the fit in prose, storytelling, and vision between the original, deceased author and the one stepping in to finish the tale isn’t quite perfect. Even when it’s one elite author picking . . . → Read More: In Good Company: Nell Gywnne’s On Land and At Sea
There’s actually a fairly long history for the fantasy detective genre, going back at least to Randall Garrett’s stories of Lord Darcy from the 1960s. The genre has enjoyed a roster of stellar practitioners — Michael Moorcock, Glenn Cook, Steven Brust, Tanya Huff, to name just a few. Add to that list Mike Resnick, who . . . → Read More: Mike Resnick’s Stalking the Zombie
As far as I am concerned, Madeleine L’Engle’s books should be required reading in all schools, as they open doors — not only in the imagination, but also in the academics, math and science especially. These wonderful tales could inspire the next Einstein to take the proper courses and feed his mind. I enjoyed the . . . → Read More: Madeleine L’Engle’s The Time Quartet
If a reader reads a fairytale once and never picks it up again, need has been satisfied. If a reader willingly reads a fairytale nineteen times, even in that many different versions, I think it’s because the need for that particular tale hasn’t been resolved, deep in the place where imagination and symbols, emotions and . . . → Read More: Revisiting the Visible McKillip
John O’Regan found The Blind Harper Dances — Modern English Country Dances set to airs by Turlough O’Carolan from Squirrel Hill Press a decade ago to be a reviewing challenge:
This book is at once fascinating and difficult to review. The fascination lies in the idea of combining the music of Turlough O’Carolan with modern . . . → Read More: The Blind Harper Dances
And here I am, back again with more reviews. Hmm — where to start?
Zombies! Cant’ live with ‘em, can’t live without ‘em — which seems to hold true for some people, at least. Christopher Golden has come out with an anthology that reinvents the zombie, according to our reviewer — 21st Century Dead. Or . . . → Read More: You Were Warned
Just popped over to help out for a bit — Mrs. Ware’s got everyone in the kitchen chopping up apples or some-such, and we’ve got reviews piling up in the bin.
We start off with a re-issue of an earlier work by that master of adventure and intrigue, Glen Cook. When we reviewed the Second . . . → Read More: Oh, Hi!
Merlin’s Wood is not precisely part of Robert Holdstock’s Ryhope Wood cycle, as it is set in France, not England. For an author whose other books in the Mythago Wood cycle are English in motif, this is an odd digression. The rest of the Ryhope Wood cycle takes place in and around Ryhope Wood in . . . → Read More: On the Story of Robert Holdstock’s Merlin’s Wood, or The Vision of Magic
Robert Holdstock’s best known for his sprawling Ryhope Wood series, which encompasses, most readers think, four complex novels: Mythago Wood, Lavondyss The Hollowing, Gate of Ivory, Gate of Horn, and Avillion. Of course they are some of the finest writing in the English langage, but as Richard Dansky noted in his review of them,
The . . . → Read More: Bone Forest: The True Beginnings of the Holdstock’s Ryhope Wood series
Arthur Rackham’s ‘And they, so perfect is their misery’
Reynard, Brigid, and me were sitting in Toad Hall enjoyin’ a keg of their stout that had just been tapped, and discussin’ which bands were worth bookin’ for The Wild Hunt festival which will have English, Celtic, and Nordic performers, when he said that he had . . . → Read More: On English Folk Tales